Poetic story of a proletarian couple's relationship in the years of economic crisis and unemployment.

Operettas performed by the actors of the Leningrad Musical Comedy Theater.

The movie tells the story of a woman who struggles and fights to escape the gas chamber being condemned with capital punishment because of her participation in a hold up in which a person was killed.

Katya and Pasha are a Moscow student couple in their early twenties. They don't care about politics or authorities. They aren't really rebellious, they just want to be left alone and have fun. One day they come to a punk concert at a small club, but two rogue policemen stop the show in the middle of it - there are no formal grounds to do that, but the policemen just enjoy their power. Katya tries to reason with one of the officers, but he reacts in a brutal way, and Pasha has to defend her. Katya and Pasha escape and they hope they're safe. But in Russia, you shouldn't mess with the police, and next morning, the young people learn that they are in trouble. Their only way out is to pay the policemen off, and they embark on a mission of getting the cash - borrowing, begging, doing whatever they can. And they only have several hours to come up with the cash.

他们正在紧急寻找一些优秀的男女。“Gunny”和他的征兵团队，既是军人，又像推销员，正执着地执行着最新任务：在月底前招募8名新兵加入海军陆战队。这个团队每天都在进行一场独特的“战争”，而公众对此大多一无所知。《我们需要你》毫不掩饰地讲述了……

How We Used to Live is a British educational historical television drama written by Freda Kelsall and sometimes narrated by Redvers Kyle and John Crosse, both employed as continuity announcers at Yorkshire Television at the time of production. Production began in 1968 at the YTV studios in Leeds. The series traced the lives and fortunes of various fictional Yorkshire families from the Victorian era until the 1960s, in and around the fictional town of Bradley, using self-contained short dramas interspersed with archive footage.

A school teacher with supernatural sensitivities chances upon a pair of ghostly lovers who are trapped in her new home. Reluctant at first, she helps them understand that clinging to the material world is a futile effort, and helps them find a way out.

Arabella has her eye on Fred which means it's not easy. So when she (and Fred) attend the Tall Man's party, she is self conscious. Afterwards, to make herself feel better, she invites Eve round for her version of a party. And of course it's easy around Eve. So with a wave of self assuredness, she invites Fred round. But again she is self-conscious around him. So Arabella strategizes. Arabella who wants to be mad. Where madness isn't loony or kooky, it's the freedom to be.

The story follows four bold and outspoken women in their 30s who dream of wealth without wanting to work hard, enjoy solitude but dislike loneliness, and long to live freely yet can’t quite bring themselves to do so.